Entrance to Triboro Bridge, Queens
From the Ai Weiwei exhibit at the Brooklyn Museum.
Kodak T-Max 400, Canon AE-1, 50/1.8
Rollei Agfa Retro 80s shot w. my trusty Zeiss Contaflex
Ilford HP+, Yashica 635 TLR
Triboro Bridge. Ilford HP+50, Yashica 635 8.0/500th
And you turn a corner… Somewhere in Brooklyn Heights
Agfa APX 100, Canon AE-1 50/1.8 w. yellow filter
Ilford Delta 3200, Canon AE-1, 50/1.8
A mild late-winter day, the first sunshine in ages, and two rolls of Kodak TMax 100 begging to be shot. Canon AE-1, 50/1.8
Somewhere in Hunt’s Point
Below the Kosciusko Bridge in Greenpoint. Canon AL-1/Vivitar 50/1.8, Adox 25.
My final roll of Adox CHS 25, may it rest in peace. Canon AL-1, Vivitar 50/1.8 macro
Bed-Stuy. Canon FT, 50/1.8. Fuji Acros 100.
Clinton Hill. Canon FT, 50/1.8. Fuji Acros 100.
Photogram of 120 negative
A first attempt at pinhole photography with direct-positive paper. A happy abstract accident of chemistry.
Another happy accident; my scanner combined two frames of film into one new shot. Canon AE-1, 50/1.8, Ilford Delta 3200. Ballston Spa, New York.
Canon AE1, 50/1.8, Delta 3200.
Not the best choice on a gray and cold day, but whatever works, right?
Canon A-1, Sigma 50/2.8 macro. Adox CHS 25.
I ran into Justin at a bodega in Bushwick. He had a Fuji 6×7 camera; I my Yashica TLR. We goofed on each other’s camera, then exchanged portraits. Ilford FP+ is more forgiving of bright sunlight than Acros 100, it seems.