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Kodak TMax100. Canon AE-1, 50/1.8

Exploring the Fulton Transit Center. Kodak TMax100, Canon AE-1, 50/1.8

This is why I love Kodak TMax 100. Even pushed to 400 ASA, the tonal range is beautiful. Canon AE-1, 50/1.8

Returning to Austin and warmer days. Ilford Pan F, Yashica 635

Pushing Kodak TMax 100 to 400. Canon AL-1, 70-200.4.0 macro

Shapes and shadow at Dia Beacon.

More from Dia Beacon.

Dia Beacon. Canon AE-1; 50/1.8. Kodak TMax 100.

Kodak TMax400. Canon AE-1 50/1.8

Canon AE-1, 50/1.8. Kodak TMax 400

Ceiling, St. Louis Art Museum. Kodak TMax 400. Canon AE-1; 50/1.8  

Exploring the semi-forgotten north side of the St. Louis waterfront. Rollei Agfa Retro 80s; Canon AE-1; 50/1.8

Kodak TMax 100; Canon AE-1; 50/1.8. December golden hour in StL.

What happens when you shoot Kodak TMax 400 with a yellow filter, then let it steep in D76 developer for 90 minutes? EXTREME CONTRAST!!!!

Yet another image I never shared…. Kodak Porta 160 and my dusty but trusty Yashica medium-format box… crossing the Hudson at Poughkeepsie

Testing a not-so-new acquisition, a Canon 70-200mm 4.5 macro zoom, with Rollei RPX400, heavily Lightroom’d.

Fuji Velvia 100 and my trusty Canon AE-1, 50/1.8

Entrance to Triboro Bridge, Queens

From the Ai Weiwei exhibit at the Brooklyn Museum.

    Kodak T-Max 400, Canon AE-1, 50/1.8      

Rollei Retro 80s

Rollei Agfa Retro 80s shot w. my trusty Zeiss Contaflex

Ilford HP+, Yashica 635 TLR