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Two from the Noguchi Museum: The top was shot with my Bronica on Kodak TMax 100. The bottom was shot with my a Canon Al-1 on Adox CMS 20. Medium format vs. 35mm. The Bronica offers better detail, but I love the fast falloff of the Adox shot on the 35mm… wish I’d swapped films.

days of future passed on the grounds of the new jersey state museum… canon al-1, 50/1.8. kodak tmax 100.

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Air conditioners at angles

i never get tired of this building… never

A forgotten roll of Fuji Superia 200, purchased and shot back in the spring, is found.

Exploring the hidden spaces of the Guggenheim Museum. Canon AL-1, 50/1.8, Adox CMS 20.

I love finding old signs.

Sometimes, film and the right light can make the mundane seem almost magical… or at least of another time. Canon AL-1, 50/1.8. Adox Silvermax 100.

Another example of what pushing Ultrafine Extreme 400 to 1600 does. Flat and contrasty.

The Verizon building on Bushwick Avenue or an interstellar spacecraft? Canon AE-1, 50/1.8; Adox Silvermax 100.

A rare photo with a human being in the frame. Canon AE-1, Vivitar 50/2.8 macro. Ultrafine Extreme 400 pushed to 1600.

Exploring the Brooklyn Museum, shooting Adox CHS 100, a lovely, contrasty stock that makes magic out of sculpture. Canon AE-1, Vivitar 50/2.8 macro.

Think I might need to print this one….

Shadows and light, as seen from the High Line. Canon AE-1, 50/1.8. Kodak TMax 100.

Testing out a new stock, Adox Silvermax ASA 100. Canon AE-1, 50/1.8.

Exploring the water plants collection at the botanical garden, a happy accident of extreme contrast. Zeiss Contaflex 115/4.0. Adox CMS 20.

Exploring the rotunda of the Mertz Library at the New York Bontanical Gardens. Zeiss Contaflex, 35/2.8, Adox CMS 20.

Walking a fine line near Hudson Yards. Canon AE-1, 50/1.8. Kodak TMax 100.

Surveying the scene from above. Fuji Superia 100, Canon AE-1, 50/1.8.

Exploring the place where man meets nature. Zeiss Contaflex, 115/4.0, Koday TMax 100, plus some Adobe lovin’

Morning in Ridgewood. Zeiss Contaflex, 115/4.0

Screwing around with Lightroom and Photoshop, based on some experimenting I did in the darkroom today.

Another view of the abandoned Neponsit Health Center at Jacob Riis park. Zeiss Contaflex, 50/2.8. Kodak TMax 100.