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I’ve been experimenting with various color stocks, and still I’m not satisfied. Fuji Velvia 100 plus Photoshop gets close, but…. Canon AL-1, 70-210/4.0

The abandoned Neponsit Health Center at Jacob Riis park. Zeiss Contaflex, 50/2.8. Kodak TMax 100.

I haven’t taken the Zeiss Contaflex out for ages, much less used the 35mm wide-angle lens. Fresh Kills seemed as good as any place to do so. Kodak TMax100.

Exploring the Fresh Kills landfill with my semi-reliable Canon FT, 50/1.8. Kodak Ektar 100.

Picking over the bones of Camp Hero at Montauk Point. Canon AL-1, 70-210/4.0. Kodak TMax 100.

another view…

Exploring Ft. Wadsworth on Staten Island. Kodak TMax 100, Canon AE-1, 50/1.8.

Canon AE-1, 50/1.8. Kodak Ultramax 400.

Ultrafine Extreme 400 with a red filter. Canon AE-1, 50/1.8

Seeing what Ultrafine Xtreme 400 film is capable of at the golden hour. Canon AE-1, 50/1.8.

Handball courts in Ft. Greene. Kodak TMax100, Canon AE1, 50/1.8

Stopping briefly in Amsterdam, NY, Bronica in hand. Kodak TMax100.

Empty signage. Kodak TMax 100. Canon AE-1, 50/1.8

Exploring the Edison labs in New Jersey and seeing what happens when I push TMax 400 to ASA 1600. Shot with my trusty Bronica.      

Kodak E100VS Ektachrome, expired in 2006, shot on the Yashica. Colors not unexpectedly shifted, but wow… what it does in Lightroom when converted to black and white!

Mucking about with the oddball film Rollei Agfa Color Implosion, a wacked-out 400 ASA C-41 stock. Trusty Canon AE-1 50/1.8, stalking shadows and myself in the ‘Wick…

Adox CMS 20 II, processed in diluted D76 and blown to hell with chemical contrast. Canon AL-1, 50/1.8

kodak tmax400 pushed to 1600, canon ae1, 50/1.8

Hand processed Kodak Plus-X super 8 film, shot circa 2006.

More from the Bronica. My favorite garage in Bushwick… or what’s left of it.

Testing out a Bronica. Kodak TMax 100, triple exposure.

More from the Bronica walkabout

10 unintentional superimpositions on a single frame. Still getting used to the Bronica 635. Kodak TMax100, Photoshopped to hell.

Bronica 635, Kodak TMax 100